Wednesday , October 27 2021

Tekashi 6ix9ine's Disjointed 'Dummy Boy' Is A Failed Pop Crossover Bid



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PHILADELPHIA, PA – SEPTEMBER 01: Tekashi 6ix9ine performs on the Rocky Stage during Day 1 of the 2018 Made in America Festival at Benjamin Franklin Parkway on September 1, 2018 in Philadelphia, Pennsylvania. (Photo by Zachary Mazur / FilmMagic)Getty

You can take away his freedom, you can take away his social media privileges, but you can not take Tekashi 6ix9ine sense of humor. The 22-year-old Brooklyn rapper born Daniel Hernandez released his debut studio album, Dummy Boy, on Tuesday (Nov. 27), after postponing it due to its Nov. 18th arrest on racketeering and firearms charges. The rapper, who previously identified itself as part of New York's Nine& nbsp; Trey Bloods gang, comes & nbsp; tantalizingly close to shouting out "Tr3yway" on his new album-but he smirkingly reins himself in every time, opting to run his mouth about something else. & nbsp;

Dummy Boy & nbsp;comes just nine months after 6ix9ine's debut commercial mixtape, Day69: Graduation Day, and it's clear that he desperately wants to cross over to pop stardom. But the rainbow-haired malcontent has not earned that crossover status yet, and it seems like he knows it. & Nbsp; Consequently, the 34-minute, 13-song & nbsp;Dummy Boy & nbsp;feel like two separate albums. It's packed with the distorted, minimalist beats and red-in-the-face screaming that first landed 6ix9ine on the Billboard Hot 100 with his breakout single "Rubber," but it also features several excursions into Auto-Tuned pop-rap and polished Latin trap. The result is a scattershot album that sounds & nbsp; at turns ambitious, & nbsp; formulaic and most damning of all-kind of boring.

6ix9ine would have been better off & nbsp; staying in its comfort zone & nbsp; Opening track & nbsp;"Stoopid"& nbsp; boasts some of & nbsp;Dummy Boy's most explosive, immediately catchy beats and percussive, sing-song raps. Fellow Brooklynite Bobby Shmurda, who currently serves a seven-year prison sentence, delivers a red-hot verse, recorded over the phone, which interpolates his own 2014 hit "Hot N *** a." It's a thrilling feature, largely because Shmurda gets in and gets out quickly, spicing up & nbsp; the track without overshadowing 6ix9ine.

The same can not be said elsewhere. 6x9ine's watery vocals quickly give way to a lethargic Nicki Minaj verse that dominates & nbsp; the last two-thirds of their abominable hit single, "Fefe." He drowns in cloying Auto-Tune on melodic rap downers "Tic Toc" and "Feefa,"& nbsp; as those endlessly looped guitar & nbsp; licks let listeners know & nbsp; these are & nbsp;serious & nbsp; songs. But 6ix9ine lacks & nbsp; the range for introspection or sentimentality, rendering these performances inauthentic. The rapper acts as a bit player on two virtually identical, back-to-back & nbsp; Anuel AA collaborations, "Bebe" and "Mala." It's a spectacular sequencing failure that halts & nbsp;Dummy Boymomentum at its halfway point, and it's evidence that Latin trap should not waste its time trying to adopt 6ix9ine.

Dummy Boy's best collaborations do not try to dilute 6ix9ine's vocal delivery; Instead, they take a page out of the mid-2000s screamo playbook by keeping the singing hooks and screamed verses as far apart as possible. It works & nbsp; refreshingly well on "Kika," Thanks to Tory Lanez 'ear-worm chorus and 6ix9ine's tight bars. ("I blow that s ** t, now you where Bobby Shmurda's has gone" is one of the strongest punchlines's album.) "It's f *** in 'Trojan! & Nbsp;It's *** in 'Target!" Lanez shouts on the song's outro before & nbsp; burst into laughter as he tries not to name-drop Tr3yway. & Nbsp;

Unsurprisingly, & nbsp;Dummy Boy & nbsp;Functions as loud, dumb fun. Kanye West shows up on sleazy rag & nbsp;"Kanga," which interpolates A $ AP Rocky's "F *** in 'Problems"& nbsp;and & nbsp;Kelis' "Milkshake" in just over two minutes. West and Minaj also appear on "Mama" to reduce returns. Both rappers phone in their verses on the woozy, by-the-numbers trap banger, & nbsp; begging the question: What business do these superstars have babysitting & rapper their age? It's either a shameless attempt to piggyback off his commercial hot streak in light of their own recent career blunders, or an ill-conceived endorsement of a friend with a & nbsp;controversial track record. West and Minaj would both do well to distract themselves from a rapper who pled guilty to the use of a child in a sexual performance and now faces life in prison for his violent past. They would also do well to not deliver mediocre performances on equally mediocre songs.

For all of its bluster, & nbsp;Dummy Boy & nbsp;does not end with a bang but a whimper on the luster "Dummy." It's a remix of TrifeDrew's "Stuck in Dubai," but 6ix9ine still only appears in the last 30 seconds of the song. Therein lies Dummy BoyThe biggest mistake: 6ix9ine repeatedly gets shut out by its collaborators & nbsp; and sounds & nbsp; like a & nbsp; visitor & nbsp; on his own album. The young rapper tries to split the difference between his abrasive, streetwise roots and big-budget arena rap spectacle, followed by failing & nbsp; at both. & Nbsp;Dummy Boy & nbsp;what supposed to be 6ix9ine's commercial and artistic breakthrough. Instead, it's the least interesting thing about his life right now.

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PHILADELPHIA, PA – SEPTEMBER 01: Tekashi 6ix9ine performs on the Rocky Stage during Day 1 of the 2018 Made in America Festival at Benjamin Franklin Parkway on September 1, 2018 in Philadelphia, Pennsylvania. (Photo by Zachary Mazur / FilmMagic)Getty

You can take away his freedom, you can take away his social media privileges, but you can not take Tekashi 6ix9ine sense of humor. The 22-year-old Brooklyn rapper born Daniel Hernandez released his debut studio album, Dummy Boy, on Tuesday (Nov. 27), after postponing it due to his Nov. 18 arrests on racketeering and firearms charges. The rapper, who previously identified itself as part of New York's Nine Trey Bloods Gang, comes tantalizingly close to shouting out "Tr3yway" on his new album – but he smirkingly reins himself every time, choosing to rush his mouth about something else.

Dummy Boy comes just nine months after 6ix9ine's debut commercial mixtape, Day69: Graduation Day, and it's clear that he desperately wants to cross over to pop stardom. But the rainbow-haired malcontent has not earned that crossover status yet, and it seems like he knows it. Consequently, the 34-minute, 13-song Dummy Boy feel like two separate albums. It's packed with the distorted, minimalist beats and red-in-the-face screaming that first landed 6ix9ine on the Billboard Hot 100 with its breakout single "Gummo," but it also features several excursions into Auto-Tuned pop-rap and polished Latin trap. The result is a scattershot album that sounds ambitious, formulaic and most damning of all-kind of boring.

6ix9ine would have been better off staying in its comfort zone. Opening track "Stoopid" boasts some of Dummy Boy's most explosive, immediately catchy beats and percussive, sing-song raps. Fellow Brooklynite Bobby Shmurda, who currently serves a seven-year prison sentence, delivers a red-hot verse, recorded over the phone, which interpolates his 2014 hit "Hot N *** a." It's a thrilling feature, largely because Shmurda gets in and gets out quickly, spicing up the track without overshadowing 6ix9ine.

The same can not be said elsewhere. 6x9ine's watery vocals quickly give way to a lethargic Nicki Minaj verse that dominates the last two-thirds of their abominable hit single, "Fefe." He drowns in cloying auto-tune on melodic rap downers "Tic Toc" and "Feefa," as those endlessly looped guitar licks let listeners know these are serious songs. But 6ix9ine lacked the range for introspection or sentimentality, rendering these performances inauthentic. The rapper acts as a bit player on two virtually identical, back-to-back Anuel AA collaborations, "Bebe" and "Mala." It's a spectacular sequencing failure that halts Dummy Boymomentum at its halfway point, and it's evidence that Latin trap should not waste its time trying to adopt 6ix9ine.

Dummy Boy's best collaborations do not try to dilute 6ix9ine's vocal delivery; Instead, they take a page out of the mid-2000s screamo playbook by keeping the singing hooks and screaming verses as far apart as possible. It works refreshingly well on "Kika," thanks to Tory Lanez's ear-worm chorus and 6ix9ine's tight bars. ("I blow that s ** t, now you where Bobby Shmurda's has gone" is one of the strongest punchlines's album.) "It's f *** in 'Trojan! It's f *** in 'Target!' Lanez shouts on the song's outro before bursting into laughter as he does not try to drop-down Tr3yway.

Unsurprisingly, Dummy Boy Functions as loud, dumb fun. Kanye West shows up on a sleigh ridge "Kanga," which interpolates A $ AP Rocky's "F *** in 'Problems" and Kelis' "Milkshake" in just over two minutes. West and Minaj also appear on "Mama" to reduce returns. Both rappers phone in their verses on the woozy, by-the-numbers trap banger, begging the question: What business do these superstars have babysitting a rapper half their age? It's either a shameless attempt to piggyback off his commercial hot streak in light of their own recent career blunders, or an ill-conceived endorsement of a friend with a controversial track record. West and Minaj would both do well to distract themselves from a rapper who pled guilty to the use of a child in a sexual performance and now faces life in prison for his violent past. They would also do well to not deliver mediocre performances on equally mediocre songs.

For all of its blisters, Dummy Boy It does not end with a bang, but a whimper on the luster "Dummy." It's a remix of TrifeDrew's "Stuck in Dubai," but 6ix9ine still only appears in the last 30 seconds of the song. Therein lies Dummy Boy's biggest mistake: 6ix9ine repeatedly gets shut out by his collaborators and sounds like a visitor on his own album. The young rapper tries to split the difference between his abrasive, streetwise roots and big-budget arena rap spectacle, subsequently failing at both. Dummy Boy what supposed to be 6ix9ine's commercial and artistic breakthrough. Instead, it's the least interesting thing about his life right now.

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